Las óleos de todo Jean-Louis Forain
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ID |
Image |
Painting (From A to Z) |
Details |
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54059 |
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A Box at the Opea |
mk235
c.1880
Oil on canvas
31.8x26cm
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54116 |
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Ball at the Paris Opera |
mk235
c.1885
Oil on canvas
74x61cm
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11491 |
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Dancer Standing behind a Stage Prop |
1' 6'' x 2'(46 x 61 cm)Bequest of Etienne Moreau-Nelaton,1927 |
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54060 |
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In the Cafe |
mk235
1879
Oil on canvas
35.3x39.1cm
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54204 |
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Jean-Louis Forain |
mk235
Oil on canvas
38x45cm
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1238 |
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Music Hall |
1890 |
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29275 |
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Music Hall |
mk65
1890s
Oil on canvas
20x24"
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1237 |
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The Fisherman |
1884 |
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1435 |
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The Grief of the Pasha |
1882
Catalogue #300
92.7 x 73.6 cm (36.5 x 29 inches)
Joslyn Art Museum, Omaha, Nebraska |
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1239 |
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The Tightrope Walker |
1880 |
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11501 |
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The Widower |
Salon of 1885
4' 7 1/2'' x 3' 3 1/4''(141 x 100cm)Bequest of Etienne Moreau-Nelaton,1927 |
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97841 |
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Un bal a lOpera |
English: c. 1880
Medium oil on canvas
Dimensions English: 31 x 39 cm
cyf |
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| Jean-Louis Forain
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| 1852-1931
French painter, printmaker and illustrator. Around 1860 he moved with his family to Paris, where he was taught by Jacquesson de la Chevreuse (1839-1903), Jean Baptiste Carpeaux and Andre Gill. He participated in the Franco-Prussian War (1870-71) and was a friend of the poets Paul Verlaine and Arthur Rimbaud; the latter is the presumed subject of a portrait (1874; priv. col., see 1982 exh. cat., no. 1) that may have influenced Manet late portrait of Mallarme (1876; Paris, Louvre). Forain first met Manet through his friendship with Degas in the early 1870s at the salon of Nina de Callias. He continued to associate with Manet, meeting the group of young Impressionists at the Cafe Guerbois and the Cafe de la Nouvelle Athenes. In 1878 Forain painted a small gouache, Cafe Scene (New York, Brooklyn Mus.), which probably influenced Manet Bar at the Folies-Bergere (1881-2; London, Courtauld Inst. Gals).
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